In “White Dress,” Del Rey reminiscences about her life before fame and wonders if achieving stardom was worth it. Most compelling are the strong visuals the lyrics create as Del Rey sings about summer memories: “We’re in our jewels in the swimming pool / Me and my sister just playin’ it cool.” These are perfectly mixed with a piano, drums and plucking strings.
The vocals are layered to have an alluring, yet serene sound. Whether it’s a sensual serenade or personal anthem, Del Rey does a wonderful job at storytelling.ĭel Rey’s iconic storytelling comes to play in the title track, “Chemtrails Over the Country Club,” which introduces a dazzling dreamscape. Accompanied only by a soft electric guitar and tambourine, her vocals truly shine. In “Wild at Heart,” Del Rey expresses self-love and freedom. At the end of the track, Del Rey’s vocals echo like an angelic choir, fitting with the theme. However, instead of being distracting, the autotune benefits the relaxed instrumentals. “Tulsa Jesus Freak” creates a fascinating contrast between physical love and religious motifs: “Find your way back to my bed again / Sing me like a bible hymn.” Del Rey’s vocals are sprinkled with a touch of autotune. “Tulsa Jesus Freak” and “Wild at Heart” are the most memorable tracks. Throughout the album, Del Rey discusses fame and its burden. ” Reunited with frequent collaborator and producer Jack Antonoff, Del Rey’s seventh studio album “Chemtrails Over the Country Club” offers a mix of introspection and escapism. The singer-songwriter returns to music less than a year later after the publication of her debut poetry book, “ Violet Bent Backwards Over the Grass. Lana Del Rey is back, and she’s cooler than ever.
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